Loading...
Loading...
Lore and World-Building
June 8, 2026 at 11:07 PM
Removed duplicate in-body wikilinks
The world of Paralives centers on an open-world town named Melino and is built on a foundation of environmental storytelling. Rather than presenting its lore through cutscenes or text dumps, the game uses a diegetic approach: players discover the town's history, culture, and identity by exploring its streets, examining its buildings, and visiting its landmarks. According to lead developer Alex Masse, the goal was to create "a pretty town with a history" that feels authentically lived-in. Every district, building facade, and street corner carries traces of the town's past, rewarding observant players with a deeper understanding of the world.
All of the lore details described below were outlined in Alex Masse's developer post titled "Designing Paralives' Town + show of a Building," published on January 31, 2025. This post established the intentional design philosophy behind the game's environmental storytelling and served as the primary source for the town's fictional history.
Diegetic storytelling refers to narrative information that exists within the game world itself, rather than being delivered through external narration or menus. In Paralives, this means that the town's backstory is embedded in its architecture, signage, and physical details. Players are never told the town's history outright; instead, they piece it together by noticing patterns in the built environment.
For example, many old buildings in the town have sealed or bricked-up windows. These closed-off windows are a reference to historical window taxes, a real practice in which governments taxed property owners based on the number of windows in their buildings. Residents who could not afford the tax would brick up their windows to reduce their bill. In Paralives, these sealed windows appear on older structures throughout the town, hinting at a past era of fiscal policy without any explicit explanation.
Similarly, electrical cables visible on the exterior walls of certain buildings reflect the era when cable television became popular. The presence of these cables on some buildings but not others tells an implicit story about infrastructure development and modernization across different parts of the town.
The town has a distinct civic identity expressed through its public spaces and symbols. White and blue flags can be found displayed throughout the town, representing the official civic colors. These banners reinforce a sense of community pride and local identity, appearing on public buildings, lampposts, and event spaces. The color scheme ties the various districts together visually, giving the town a unified character despite the architectural differences between its neighborhoods.
The town's architecture is not uniform. Instead, it reflects centuries of development, with each district representing a different chapter in the town's history.
The Old Town is the oldest part of the settlement, featuring a densely packed layout of stone townhouses and narrow streets. At its heart sits a small castle that was built when the city was first established many centuries ago. This castle is one of the most important landmarks in the town, representing the origins of the community as a fortified settlement. The Old Town's design draws heavily from European architectural traditions, evoking the feel of a 17th-century trading post that has since transformed into a charming, walkable neighborhood.
The Industrial District tells the story of the town's more recent past. During an industrial era, factories and houses made of red bricks were constructed throughout this area. Over time, the factories closed and many of these buildings were abandoned. Some have since been renovated into modern lofts (Maggie's home is one such converted space), while others stand as empty reminders of a bygone economic period.
The most prominent building in this district is the Edwards & Co. Factory, an abandoned industrial site that is a named commercial lot in the game. The factory's presence anchors the district's identity and provides a tangible connection to the town's industrial heritage. Players who visit this area will find a landscape defined by brick facades, large warehouse-style windows, and the kind of utilitarian architecture typical of 19th-century manufacturing centers.
Paralives populates its world with fictional brands that appear on storefronts, objects, and environmental details. These brands contribute to the town's sense of place without requiring the player to read any lore documents.
Brand | Type | Description |
|---|---|---|
Edwards & Co. | Manufacturing | A historical company whose name appears on the abandoned factory in the Industrial District. The brand represents the town's industrial past. |
Telix | Telecommunications | A fictional brand that appears in the Build Mode catalog. Telix branding can be found on various items. This adds to the world's commercial texture. |
These fictional brands serve a dual purpose. On a surface level, they make the game world feel more realistic by populating it with the kind of commercial signage and product names that exist in any real town. On a deeper level, they reinforce the town's historical narrative. The Edwards & Co. name on an abandoned factory tells a story of economic change, while telecommunications branding like Telix reflects modern infrastructure layered onto an older settlement.
The development team at Paralives Studio, based in Quebec, Canada, drew on their local surroundings as a primary source of inspiration. The Old Town district in particular was designed to represent a fortified town that could have been a trading post during the 17th century, a direct reference to the history of Quebec City and other early French colonial settlements in North America. The stone construction, compact street layout, and European aesthetic of the Old Town all echo the architecture of Quebec's historic neighborhoods.
This Quebec influence extends beyond just the Old Town. The mix of French-language business names (such as Chez Maurice, L'Armoire, and Creme) and the general character of the town's public spaces reflect a bilingual, culturally layered community. The result is a setting that feels both distinctly North American and distinctly European, much like Quebec itself.
The lighthouse is described by the developers as "an important landmark" within the town. It is a prominent visual feature on the coastline and contributes to the town's maritime identity. While the lighthouse's specific gameplay role has not been fully detailed, its presence reinforces the idea that the town has a long history tied to water, trade, and navigation, consistent with the Old Town's origins as a fortified trading post.
The town is governed by a figure named Mayor Gloomberg, who is a local authority. While details about the mayor's role in gameplay remain limited, the character's name and existence further flesh out the town as a functioning community with its own civic structure and leadership.
Beyond its architecture, Melino is populated by a founding cast of eleven premade households that the developers gave written biographies. These families are scattered across the town’s districts and supply the small-scale, character-driven stories that sit alongside the environmental history above. The full resident roster, including the households without long-form bios, is documented on the Parafolk page; the summaries below focus on the narrative hooks each biographied family was built around.
The Preston-Beaumont family looks like the picture of suburban success, but the story invites players to look behind the white picket fence: Pauline’s rigidity, Gerard’s strained work-life balance, and young Zoé figuring herself out alongside a new baby. The Wolf household takes the opposite tack, three adult friends (Rebecca, Bianca, and Monica) sharing a home and learning the ups and downs of life as they try to make ends meet together.
Romantic friction drives several of the families. The Darcier household, the wealthiest of the founding cast, pairs the aesthetics-and-baking-loving Solene with Kian, a heavy-metal motorcycle enthusiast, an opposites-attract couple living life to the fullest. The clearest inter-household storyline links the Gervais and Stark families: Julien Gervais, a corporate perfectionist working as a creative director, nurses a secret crush on his rival Samantha Stark, a business entrepreneur who prides herself on running a safe and productive workplace. The O’Reilly household offers a quieter romance, a long-together retired couple, Florence and Faye, hoping to spend their remaining years in peace.
The remaining biographied families round out Melino’s working life. The Marquez household follows Sebastian, the new cook in town chasing his dream of opening a restaurant, and his son Eli, with whom he forages ingredients and hikes; their pages are Sebastian and Eli. The Barnes household is built around Kareem, an easygoing tour guide who would rather curl up indoors with a book. Nasser centers on Anisa, a cheery barista at the Creme cafe; Reed on Lian, a trainer at the town gym; and Strong on Tyrie, an arts lover and engine programmer who champions equality and acceptance. Together these eleven households give the diegetic town a human layer of ambitions, rivalries, and quiet companionship.
The lore of Paralives is deliberately understated. The development team chose not to include a codex, lore journal, or explicit backstory exposition. Instead, every piece of world-building is communicated through the physical environment. This approach respects the player's intelligence and encourages exploration. A player who simply walks from one end of town to the other will absorb the history of the settlement through changes in architectural style, building materials, street width, and the condition of structures. The transition from Old Town's stone facades to the Industrial District's brick warehouses to the modern renovations tells a complete story without a single word of narration.
