Melee Combat

Control Resonant is the first melee-focused action game in Remedy Entertainment's catalog. Where the original Control framed encounters around a third-person shooter loop, Resonant pushes the player into close range and rebuilds combat around weapon strikes, combos, and aggressive positioning. The studio has cited Devil May Cry and PlatinumGames-style action as reference points: air juggles, combo meters, and pressure-forward play.

Lead Gameplay Designer Sergey Mohov has described the identity as an action game with interplay between weapon attacks and combat abilities, and an aggressive playstyle. Director Mikael Kasurinen has framed the combat DNA as leaping into the middle of enemies rather than holding cover.

Loadout System

Combat builds around a three-slot loadout configured before a fight. The slots together define how a build flows from opener to crowd control to finisher.

The shapeshifting weapon at the centre of all three slots is the Aberrant, which transforms between forms such as a heavy hammer, dual blades, a scythe, a whip, and bare fists. Different loadouts pull different combinations into the slots, so two players can field very different combat feels from one weapon.

Combo Economy

Combos are not just damage. Stringing strikes together generates a combat resource the player spends on special abilities, so extending a combo unlocks the bigger tools rather than piling on hits. Specials carry stun and execution properties: landing one on a vulnerable enemy can trigger a contextual execution, and executions grant temporary melee damage buffs that loop back into the next combo.

The intended cycle: build resource with the primary form, spend it on a stun-capable special, convert the stun into an execution, ride the buff into a longer follow-up, and close on the combo ender.

Powers Mesh with Combat

Aberrant strikes share the screen with Dylan Faden's parautilitarian abilities. Force-push, remote explosions, deployable offensive shields, and throwable turrets layer into combat alongside weapon work. A sequence might open by force-pushing a cluster, continue with weapon hits, interrupt with a remote explosive, and finish with a shield slam or a turret toss.

Progression runs through talent trees with deliberately exclusive choices. Picking one branch closes off another, so a single playthrough cannot unlock everything. Build specialisation around status effects (stuns, knockdowns, elemental reactions) is one of the explicit shapes the talent system pushes toward.

Aggressive by Design

The system is tuned for forward pressure. Remedy has stated the philosophy directly: leap into the middle of enemies, keep doing things, keep using abilities, rather than camping cover. The combo economy reinforces that mechanically. Resources only build while striking, executions only trigger inside melee range, and the buffs only matter if the player keeps swinging.

Why it Replaces the Shooter

Resonant's melee system replaces the original Control's third-person shooter framework wholesale rather than sitting alongside it. Combat is now built around a single shapeshifting close-quarters weapon and a deeper power kit, with the player's centre of mass moved from mid-range to inside enemy reach. Remedy assembled the largest dedicated gameplay team in studio history for this system. The rest of the game, including Manhattan's zone design, is built to feed it.

Unconfirmed Details

Several specifics have not been disclosed and should be treated as open questions:

• Dodge invincibility frames, parry timing windows, and stagger thresholds.

• Specific combo names, input strings, and the full list of combo enders.

• The complete roster of named bosses.

• The full list of parautilitarian abilities and talent branches.

• Difficulty modes and accessibility options.

See also the Overview, the Aberrant weapon page, and the Dylan Faden character page.